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๐‘–๐‘ท-๐‘•๐‘’๐‘ฎ๐‘ฆ๐‘๐‘‘ ๐‘ฆ๐‘Ÿ ๐‘ฉ ๐‘ค๐‘ฆ๐‘‘๐‘ผ๐‘ผ๐‘ฆ ๐‘ฏ ๐‘ธ๐‘‘๐‘ฆ๐‘•๐‘‘๐‘ฆ๐‘’ ๐‘ฅ๐‘จ๐‘œ๐‘ฉ๐‘Ÿ๐‘ฐ๐‘ฏ, ๐‘ฎ๐‘ฆ๐‘‘๐‘ฉ๐‘ฏ ๐‘ฆ๐‘ฏ๐‘‘๐‘ฒ๐‘ผ๐‘ค๐‘ฆ ๐‘ฆ๐‘ฏ ๐‘ž ๐‘–๐‘ฑ๐‘๐‘พ๐‘ฏ ๐‘จ๐‘ค๐‘“๐‘ฉ๐‘š๐‘ง๐‘‘ ๐‘ฏ ๐‘›๐‘ง๐‘›๐‘ฆ๐‘’๐‘ฑ๐‘‘๐‘ฉ๐‘› ๐‘‘ ๐‘๐‘ฎ๐‘ฉ๐‘ฅ๐‘ด๐‘‘๐‘ฆ๐‘™ ๐‘ž๐‘ฆ๐‘• ๐‘š๐‘ฟ๐‘‘๐‘ฆ๐‘“๐‘ฉ๐‘ค ๐‘ฎ๐‘ฒ๐‘‘๐‘ฆ๐‘™ ๐‘•๐‘ฆ๐‘•๐‘‘๐‘ฉ๐‘ฅ. ๐‘ฆ๐‘‘ ๐‘ฆ๐‘Ÿ ๐‘๐‘ณ๐‘š๐‘ค๐‘ฆ๐‘–๐‘‘ ๐‘’๐‘ข๐‘น๐‘‘๐‘ผ๐‘ค๐‘ฆ ๐‘ฏ ๐‘’๐‘ฉ๐‘ฏ๐‘‘๐‘ฑ๐‘ฏ๐‘Ÿ ๐‘ฉ ๐‘ข๐‘ฒ๐‘› ๐‘๐‘ผ๐‘ฒ๐‘ฉ๐‘‘๐‘ฆ ๐‘ ๐‘ข๐‘ป๐‘’ ๐‘ฆ๐‘ฏ๐‘’๐‘ค๐‘ต๐‘›๐‘ฆ๐‘™ ๐‘๐‘ด๐‘ฉ๐‘‘๐‘ฎ๐‘ฆ ๐‘ฏ ๐‘ง๐‘•๐‘ฑ๐‘Ÿ, ๐‘จ๐‘Ÿ ๐‘ข๐‘ง๐‘ค ๐‘จ๐‘Ÿ ๐‘ฉ ๐‘’๐‘จ๐‘‘๐‘ฉ๐‘ค๐‘ช๐‘œ ๐‘ ๐‘ฎ๐‘ฐ๐‘•๐‘ฉ๐‘ฏ๐‘‘ ๐‘ฏ๐‘ฟ๐‘Ÿ ๐‘ฆ๐‘ฏ ๐‘ž ๐‘ข๐‘ป๐‘ค๐‘› ๐‘ ๐‘–๐‘ฑ๐‘๐‘พ๐‘ฏ ๐‘ค๐‘ง๐‘‘๐‘ผ๐‘Ÿ. ๐‘ฟ ๐‘’๐‘จ๐‘ฏ ๐‘“๐‘ฒ๐‘ฏ๐‘› ๐‘๐‘ญ๐‘•๐‘‘ ๐‘ฆ๐‘–๐‘ซ๐‘Ÿ ๐‘ ๐‘ž ๐‘ฅ๐‘จ๐‘œ๐‘ฉ๐‘Ÿ๐‘ฐ๐‘ฏ ๐‘ฃ๐‘ฝ.

๐‘š๐‘ฒ ๐‘“๐‘ณ๐‘š๐‘ค๐‘ฆ๐‘–๐‘ฆ๐‘™ ๐‘ž๐‘ฆ๐‘• ๐‘ฅ๐‘จ๐‘œ๐‘ฉ๐‘Ÿ๐‘ฐ๐‘ฏ, ๐‘ข๐‘ฐ ๐‘ข๐‘ช๐‘ฏ๐‘‘ ๐‘‘ ๐‘๐‘ฎ๐‘ฉ๐‘๐‘ฒ๐‘› ๐‘ฉ ๐‘“๐‘น๐‘ฉ๐‘ฅ ๐‘“ ๐‘ฎ๐‘ฒ๐‘‘๐‘ผ๐‘Ÿ ๐‘ฏ ๐‘ฎ๐‘ฐ๐‘›๐‘ผ๐‘Ÿ ๐‘‘ ๐‘–๐‘บ ๐‘ฏ ๐‘›๐‘ฆ๐‘•๐‘’๐‘ณ๐‘๐‘ผ ๐‘ฏ๐‘ฟ ๐‘ข๐‘ป๐‘’๐‘• ๐‘๐‘ณ๐‘š๐‘ค๐‘ฆ๐‘–๐‘‘ ๐‘ฆ๐‘ฏ ๐‘–๐‘ฑ๐‘๐‘พ๐‘ฏ. ๐‘ข๐‘ฐ ๐‘š๐‘ฆ๐‘ค๐‘ฐ๐‘ ๐‘ž๐‘จ๐‘‘ ๐‘ž ๐‘จ๐‘ค๐‘“๐‘ฉ๐‘š๐‘ง๐‘‘ ๐‘ฆ๐‘Ÿ ๐‘ฏ๐‘ช๐‘‘ ๐‘ด๐‘ฏ๐‘ค๐‘ฆ, ๐‘จ๐‘Ÿ ๐‘ฉ ๐‘œ๐‘ค๐‘ญ๐‘ฏ๐‘• ๐‘จ๐‘‘ ๐‘–๐‘ฑ๐‘๐‘พ๐‘ฏ ๐‘’๐‘ฉ๐‘ค๐‘ฆ๐‘œ๐‘ฎ๐‘ฉ๐‘“๐‘ฆ ๐‘ข๐‘ฆ๐‘ค ๐‘–๐‘ด, ๐‘ฉ ๐‘ข๐‘ป๐‘’ ๐‘ ๐‘ธ๐‘‘ ๐‘ฆ๐‘ฏ ๐‘ฆ๐‘‘๐‘•๐‘ง๐‘ค๐‘“; ๐‘ฆ๐‘‘ ๐‘ฆ๐‘Ÿ ๐‘ท๐‘ค๐‘•๐‘ด, ๐‘š๐‘ฒ ๐‘๐‘ป๐‘—๐‘ต ๐‘ ๐‘ฆ๐‘‘๐‘• ๐‘ฉ๐‘š๐‘ฆ๐‘ค๐‘ฆ๐‘‘๐‘ฆ ๐‘‘ ๐‘ฎ๐‘ง๐‘๐‘ฎ๐‘ฆ๐‘Ÿ๐‘ง๐‘ฏ๐‘‘ ๐‘•๐‘๐‘ด๐‘’๐‘ฉ๐‘ฏ ๐‘ฆ๐‘™๐‘œ๐‘ค๐‘ฆ๐‘– ๐‘จ๐‘’๐‘˜๐‘ผ๐‘ฉ๐‘‘๐‘ค๐‘ฆ ๐‘ฏ ๐‘“๐‘ค๐‘ต๐‘ฉ๐‘ฏ๐‘‘๐‘ค๐‘ฆ, ๐‘ฉ ๐‘ฅ๐‘ฐ๐‘›๐‘พ๐‘ฅ ๐‘“ ๐‘ฆ๐‘’๐‘•๐‘๐‘ค๐‘น๐‘ฆ๐‘™ ๐‘ž ๐‘š๐‘ฌ๐‘ฏ๐‘›๐‘Ÿ ๐‘ ๐‘ข๐‘ช๐‘‘ ๐‘ฆ๐‘Ÿ ๐‘๐‘ช๐‘•๐‘ฆ๐‘š๐‘ฉ๐‘ค ๐‘ฆ๐‘ฏ ๐‘ฌ๐‘ผ ๐‘ค๐‘จ๐‘™๐‘œ๐‘ข๐‘ฆ๐‘ก.

๐‘ฆ๐‘“ ๐‘ฟ ๐‘ข๐‘ฆ๐‘– ๐‘‘ ๐‘•๐‘ฉ๐‘š๐‘ฅ๐‘ฆ๐‘‘ ๐‘ฉ ๐‘ข๐‘ป๐‘’ ๐‘ ๐‘ข๐‘น๐‘Ÿ ๐‘‘ ๐‘ž ๐‘ฅ๐‘จ๐‘œ๐‘ฉ๐‘Ÿ๐‘ฐ๐‘ฏ, ๐‘๐‘ค๐‘ฐ๐‘Ÿ ๐‘—๐‘ง๐‘’ ๐‘ฌ๐‘‘ ๐‘ž ๐‘•๐‘ฉ๐‘š๐‘ฅ๐‘ฆ๐‘–๐‘ฉ๐‘ฏ ๐‘œ๐‘ฒ๐‘›๐‘ค๐‘ฒ๐‘ฏ๐‘Ÿ. ๐‘ฟ ๐‘ฅ๐‘ฑ ๐‘ท๐‘ค๐‘•๐‘ด ๐‘’๐‘ช๐‘ฏ๐‘‘๐‘จ๐‘’๐‘‘ ๐‘ณ๐‘• ๐‘›๐‘ฆ๐‘ฎ๐‘ง๐‘’๐‘‘๐‘ค๐‘ฆ ๐‘š๐‘ฒ ๐‘ฐ๐‘ฅ๐‘ฑ๐‘ค ๐‘น ๐‘ช๐‘ฏ ยท๐‘‘๐‘ข๐‘ฆ๐‘‘๐‘ผ.

๐‘ฉ๐‘š๐‘ฌ๐‘‘ ๐‘ž ๐‘จ๐‘ค๐‘“๐‘ฉ๐‘š๐‘ง๐‘‘

๐‘ž ๐‘–๐‘ฑ๐‘๐‘พ๐‘ฏ ๐‘จ๐‘ค๐‘“๐‘ฉ๐‘š๐‘ง๐‘‘ ๐‘ข๐‘ช๐‘Ÿ ๐‘›๐‘ฆ๐‘Ÿ๐‘ฒ๐‘ฏ๐‘› ๐‘ฆ๐‘ฏ ๐‘ž ๐‘ป๐‘ค๐‘ฆ 1960๐‘Ÿ ๐‘š๐‘ฒ ยท๐‘ฎ๐‘ช๐‘ฏ๐‘ฉ๐‘ค๐‘› ๐‘’๐‘ฆ๐‘™๐‘Ÿ๐‘ค๐‘ฆ ๐‘ฎ๐‘ฐ๐‘›, ๐‘ฉ ๐‘›๐‘ฉ๐‘Ÿ๐‘ฒ๐‘ฏ๐‘ผ ๐‘“๐‘ฎ๐‘ช๐‘Ÿ ยท๐‘š๐‘ป๐‘ฅ๐‘ฆ๐‘™๐‘ฉ๐‘ฅ. ๐‘ฆ๐‘‘๐‘• ๐‘’๐‘ฎ๐‘ฆ๐‘ฑ๐‘–๐‘ฉ๐‘ฏ ๐‘ข๐‘ช๐‘Ÿ ๐‘๐‘ฎ๐‘ช๐‘ฅ๐‘๐‘‘๐‘ฉ๐‘› ๐‘š๐‘ฒ ๐‘ž ๐‘ข๐‘ฆ๐‘ค ๐‘ ๐‘ฒ๐‘ฎ๐‘ฆ๐‘– ๐‘๐‘ค๐‘ฑ๐‘ฎ๐‘ฒ๐‘‘ ยท๐‘š๐‘ป๐‘ฏ๐‘ผ๐‘› ๐‘–๐‘ท, ๐‘ฃ๐‘ต ๐‘ฆ๐‘ฏ๐‘‘๐‘ง๐‘ฏ๐‘›๐‘ฉ๐‘› ๐‘ž ๐‘ฏ๐‘ฟ ๐‘จ๐‘ค๐‘“๐‘ฉ๐‘š๐‘ง๐‘‘ ๐‘‘ ๐‘ฎ๐‘ฆ๐‘๐‘ค๐‘ฑ๐‘• ๐‘ž ๐‘‘๐‘ฎ๐‘ฉ๐‘›๐‘ฆ๐‘–๐‘ฉ๐‘ฏ๐‘ฉ๐‘ค ๐‘ฆ๐‘™๐‘œ๐‘ค๐‘ฆ๐‘– ๐‘น๐‘”๐‘ช๐‘œ๐‘ฎ๐‘ฉ๐‘“๐‘ฆ, ๐‘ข๐‘ฆ๐‘— ๐‘ฃ๐‘ฐ ๐‘ฏ ๐‘ฅ๐‘ง๐‘ฏ๐‘ฆ ๐‘ณ๐‘ž๐‘ผ๐‘Ÿ ๐‘ž๐‘ง๐‘ฏ ๐‘ฏ ๐‘ฏ๐‘ฌ ๐‘๐‘ฟ๐‘› ๐‘จ๐‘Ÿ ๐‘ฆ๐‘’๐‘•๐‘‘๐‘ฎ๐‘ฐ๐‘ฅ๐‘ค๐‘ฆ ๐‘ฌ๐‘‘๐‘›๐‘ฑ๐‘‘๐‘ฉ๐‘› ๐‘ฏ ๐‘ฆ๐‘ฏ๐‘ฆ๐‘“๐‘ฆ๐‘–๐‘ฉ๐‘ฏ๐‘‘. ๐‘ฆ๐‘‘ ๐‘ฅ๐‘ฑ๐‘› ๐‘ฉ ๐‘œ๐‘ฎ๐‘ฑ๐‘‘ ๐‘›๐‘ฐ๐‘ค ๐‘ฅ๐‘น ๐‘๐‘ฎ๐‘ช๐‘œ๐‘ฎ๐‘ง๐‘• ๐‘ž๐‘จ๐‘ฏ ๐‘ฅ๐‘ด๐‘•๐‘‘ ๐‘•๐‘๐‘ง๐‘ค๐‘ฆ๐‘™ ๐‘ฎ๐‘ฆ๐‘“๐‘น๐‘ฅ ๐‘๐‘ฎ๐‘ฉ๐‘๐‘ด๐‘Ÿ๐‘ฉ๐‘ค๐‘Ÿ, ๐‘’๐‘ณ๐‘ค๐‘ฅ๐‘ฆ๐‘ฏ๐‘ฑ๐‘‘๐‘ฆ๐‘™ ๐‘ฆ๐‘ฏ ๐‘ฉ ๐‘‘๐‘ฎ๐‘จ๐‘ฏ๐‘Ÿ๐‘ค๐‘ฆ๐‘‘๐‘ผ๐‘ฑ๐‘–๐‘ฉ๐‘ฏ ๐‘ ๐‘–๐‘ท๐‘Ÿ ๐‘๐‘ค๐‘ฑ ยท๐‘จ๐‘ฏ๐‘›๐‘ฎ๐‘ฉ๐‘’๐‘ค๐‘ฐ๐‘Ÿ ๐‘ฏ ๐‘ž ๐‘ค๐‘ฒ๐‘ฉ๐‘ฏ ๐‘š๐‘ฐ๐‘ฆ๐‘™ ๐‘๐‘ณ๐‘š๐‘ค๐‘ฆ๐‘–๐‘‘ ๐‘ฆ๐‘ฏ 1962. ๐‘›๐‘ฟ ๐‘‘ ๐‘ค๐‘จ๐‘’ ๐‘ ๐‘“๐‘ณ๐‘ฏ๐‘›๐‘Ÿ (๐‘–๐‘ท๐‘Ÿ ๐‘ข๐‘ฆ๐‘ค ๐‘ฃ๐‘จ๐‘› ๐‘š๐‘ฐ๐‘ฏ ๐‘—๐‘จ๐‘ค๐‘ฉ๐‘ฏ๐‘ก๐‘› ๐‘ฆ๐‘ฏ ๐‘’๐‘น๐‘‘ ๐‘ฏ ๐‘ž ๐‘จ๐‘ค๐‘“๐‘ฉ๐‘š๐‘ง๐‘‘ ๐‘ฏ๐‘ง๐‘๐‘ผ ๐‘ฎ๐‘ฆ๐‘•๐‘ฐ๐‘๐‘› ๐‘ฅ๐‘ด๐‘•๐‘‘ ๐‘ ๐‘ฃ๐‘ฆ๐‘Ÿ ๐‘ฅ๐‘ณ๐‘ฏ๐‘ฆ), ๐‘ž๐‘ฆ๐‘• ๐‘ข๐‘ช๐‘Ÿ ๐‘ž ๐‘ฃ๐‘ฒ-๐‘ข๐‘ช๐‘‘๐‘ผ ๐‘ฅ๐‘ธ๐‘’ ๐‘ ๐‘–๐‘ฑ๐‘๐‘พ๐‘ฏ ๐‘จ๐‘Ÿ ๐‘ฉ ๐‘•๐‘๐‘ง๐‘ค๐‘ฆ๐‘™ ๐‘ฎ๐‘ฆ๐‘“๐‘น๐‘ฅ, ๐‘š๐‘ณ๐‘‘ ๐‘ฆ๐‘‘ ๐‘ค๐‘ฆ๐‘๐‘Ÿ ๐‘ช๐‘ฏ. ๐‘ฅ๐‘ง๐‘ฏ๐‘ฆ ๐‘๐‘ฐ๐‘๐‘ฉ๐‘ค ๐‘ธ ๐‘“๐‘จ๐‘•๐‘ฆ๐‘ฏ๐‘ฑ๐‘‘๐‘ฉ๐‘› ๐‘š๐‘ฒ ๐‘ฆ๐‘‘๐‘• ๐‘ง๐‘ค๐‘ฆ๐‘œ๐‘ฉ๐‘ฏ๐‘‘ ๐‘ฐ๐‘•๐‘”๐‘ง๐‘‘๐‘ฆ๐‘’๐‘• ๐‘ฏ ๐‘ž๐‘บ ๐‘ฆ๐‘Ÿ ๐‘ฉ ๐‘•๐‘ฅ๐‘ท๐‘ค ๐‘š๐‘ณ๐‘‘ ๐‘๐‘จ๐‘–๐‘ฉ๐‘ฏ๐‘ฉ๐‘‘ ๐‘’๐‘ฉ๐‘ฅ๐‘ฟ๐‘ฏ๐‘ฆ๐‘‘๐‘ฆ ๐‘ ๐‘ฟ๐‘Ÿ๐‘ผ๐‘Ÿ ๐‘ผ๐‘ฌ๐‘ฏ๐‘› ๐‘ž ๐‘ข๐‘ป๐‘ค๐‘›.

๐‘“ ๐‘ฅ๐‘น ๐‘ฆ๐‘ฏ๐‘“๐‘ผ๐‘ฅ๐‘ฑ๐‘–๐‘ฉ๐‘ฏ ๐‘ช๐‘ฏ ๐‘–๐‘ฑ๐‘๐‘พ๐‘ฏ ๐‘จ๐‘ค๐‘“๐‘ฉ๐‘š๐‘ง๐‘‘, ๐‘ฆ๐‘‘๐‘• ๐‘’๐‘ข๐‘ป๐‘’๐‘•, ๐‘ฆ๐‘‘๐‘• ๐‘ฃ๐‘ฆ๐‘•๐‘‘๐‘ผ๐‘ฆ, ๐‘ฏ ๐‘•๐‘๐‘ง๐‘ค๐‘ฆ๐‘™ ๐‘’๐‘ฉ๐‘ฏ๐‘๐‘ง๐‘ฏ๐‘—๐‘ฉ๐‘ฏ๐‘Ÿ, ๐‘ข๐‘ฐ ๐‘ฎ๐‘ง๐‘’๐‘ฉ๐‘ฅ๐‘ง๐‘ฏ๐‘› shavian.info.


Shaw-Script is a literary and artistic magazine, written entirely in the Shavian alphabet and dedicated to promoting this beautiful writing system. It is published quarterly and contains a wide variety of work including poetry and essays, as well as a catalogue of recent news in the world of Shavian letters. You can find past issues here.

By publishing this magazine, we want to provide a forum for writers and readers to share and discover new works published in Shavian. We believe that the alphabet is not only, as a glance at Shavian calligraphy will show, a work of art in itself; it is also, by virtue of its ability to represent spoken English accurately and fluently, a medium for exploring the bounds of what is possible in our language.

If you wish to submit something, please check out the submission guidelines. You may also contact us directly by email or on Twitter.

About the Alphabet

The Shavian alphabet was designed in the early 1960s by Ronald Kingsley Read, a designer from Birmingham. Its creation was prompted by the will of Irish playwright Bernard Shaw, who intended the alphabet to replace the traditional English orthography, which he and many others then and now viewed as extremely outdated and inefficient. It made a great deal more progress than most spelling reform proposals, culminating in a transliteration of Shawโ€™s play Androcles and the Lion being published in 1962. Due to lack of funds (Shawโ€™s will was challenged in court and the alphabet never received most of the money), this was the high-water mark of Shavian as a spelling reform, but it lives on. Many people are fascinated by its elegant aesthetics and there is a small but passionate community of users around the world.

For a good overview and introduction to the Shavian alphabet, its quirks, its history, and spelling conventions, we recommend shavian.info.